Blow Up (The Hague 2026)

Every year, Blow Up Street Art transforms the streets of The Hague into an open-air gallery. Large-scale murals appear on facades, walls, and public spaces, turning ordinary urban environments into places of imagination, dialogue, and expression.

This photographic project explores the interaction between street art, architecture, and everyday city life. Rather than focusing solely on the artwork itself, the images examine how these monumental pieces become part of the urban landscape and how people move through, live with, and respond to them.

The murals bring color, scale, and new perspectives to familiar streets. They challenge the viewer to look differently at the city and reveal how art can temporarily reshape the experience of public space.

Through these photographs, I document the meeting point of creativity, architecture, and daily life in the city of The Hague.

Street Parked Tokyo (2026)

Tokyo is a city in constant motion, yet thousands of cars spend most of their lives standing still.

In Street Parked in Tokyo, I photograph everyday vehicles as part of the urban landscape. These cars are not presented as collector’s items or performance machines, but as ordinary objects that quietly inhabit the city. Their shapes, colors, and reflections interact with the surrounding architecture, creating unexpected visual connections.

The project explores the relationship between automotive design, daily life, and the streetscape of Tokyo. By isolating parked cars from the flow of traffic, I aim to reveal their sculptural qualities and the subtle dialogue between machine and city.

Each image is a small observation of how design, function, and urban space meet in everyday life.

Made on my new Leica MEV

Salary Men (Tokyo 2026)

In Tokyo, rain transforms the city into a stage of reflections and fleeting silhouettes.
This black-and-white series follows the salarymen as they emerge from their offices,
moving through the wet streets toward restaurants, bars, and train stations.

Some are rushing to catch the last train home.
Others have already missed it and continue wandering through the night.
Under umbrellas and neon lights, they become anonymous figures in motion,
momentarily suspended between work and rest.

By removing color, I sought to focus on gesture, atmosphere, and impermanence.
The rain softens the city and blurs its sharp edges,
revealing moments that are often overlooked in everyday life.

The series embraces the spirit of Wabi-Sabi:
finding beauty in the incomplete, the transient, and the imperfect.
A bent umbrella, a tired posture, a reflection broken by raindrops small details that speak quietly about the human condition.

These photographs are not about individuals,
but about a shared rhythm of urban existence.
A city in constant motion,
and the solitary journeys hidden within it.

Tokyo in the rain becomes both vast and intimate,
a place where impermanence can briefly be seen.

West Coast of USA (2025)

Some journeys stay with you long after the road ends. This series was born from a dream road trip across the American West, beginning in Denver and winding through some of the most iconic landscapes on Earth.

From the vast emptiness of Death Valley to the granite cliffs and ancient forests of Yosemite, every mile revealed a new perspective. The route continued west to San Francisco, where fog and ocean air softened the urban landscape, before ending beneath the palm trees and endless sunsets of Santa Monica.

What fascinated me most was the contrast: deserts and mountains, wilderness and cities, solitude and movement. Through these photographs, I wanted to capture not only the places themselves, but also the feeling of freedom that comes from following the road wherever it leads.

A journey measured not in miles, but in moments.

New York (2025)

New York ( 2025)

The city I love so much!

Antwerpen (2025)

Antwerp is a city of contrasts, where historic architecture meets contemporary urban life. Through black-and-white photography, color disappears and attention shifts to light, shadow, texture, and form.

This project explores the visual tension between old and new, movement and stillness, elegance and imperfection. By stripping the city of color, familiar streets and buildings reveal a different character one defined by contrast, atmosphere, and timelessness.

Each photograph is a personal interpretation of Antwerp, capturing the subtle details and moments that often go unnoticed in the rhythm of everyday life.